Although the sculpture art of the Tang Dynasty has not completely shaken off the shackles of religion, art has completely entered the stage of maturity. As a result of the continuation of the atmosphere since the Northern and Southern Dynasties and the construction of large-scale statue caves and temples, there have been many Buddhist images with richer content, wider range of expressions, and more skilled skills, some of which have significant monumental significance. The sculptures and works other than religious sculptures also greatly exceed the level of the Northern and Southern Dynasties in terms of content and performance. After hundreds of years of development in the Northern and Southern Dynasties, the complete and mature style of Chinese Buddhist art has also been fully formed.
In the early Tang Dynasty, in addition to Zhaoling Liujun, which has been discussed in the previous section, important works have been preserved in Longmen and Mogao Grottoes. It can be seen that the healthy and powerful artistic style of the Tang Dynasty emerged. The prosperous Tang Dynasty was the most productive period of various art in the Tang Dynasty. Within the scope of sculpture art, there were immortal masterpieces such as Fengxian Temple, Tianlong Mountain and Liling Stone Carvings, which became the peak of the history of Chinese sculpture art.
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